Pitcher and Poet

pitchers & poets

Fountains Of Greinke

Our first ever Situational Essay comes today from Reeves Wiedeman. Reeves has written about hot dogs for SI.com, a Pi savant for The Boston Globe, and the Recently Insufferable Roger Federer at his blog, Meanderings, which he would be honored to have you skim after you get through Pitchers & Poets each day. An aspiring journalist and storyteller, whatever that means, he also likes the Kansas Jayhawks and barbecue.

"Our job is to inject as much joy into people’s lives as we can." - Royals manager Trey Hillman.

I was born in Kansas City, Missouri on May 1, 1986, six months and four days after Darryl Motley caught the final out of the 1985 World Series (and for Cardinals fans, six months and five days after Don Denkinger astutely called Jorge Orta safe at first). In the subsequent 23 ½ seaons, the Kansas City Royals have yet to return to the playoffs, lost 2,039 games, run through nine managers, and traded away an outfield that would have included Carlos Beltran, Johnny Damon, and Jermaine Dye for Angel Berroa, Mark Teahan, and Neifi Perez (only Teahan is still with the team).

In short, it's been a rough 23 years. But it's been a rough two decades for Pirates, Rangers, and Brewers fans too, with the D.C. area set to join us. What's unique about the Royals' struggles is that people like you – Dodgers and Sox and Yanks fans – seem, strangely, to care about the Royals.

It’s often hard to recall that the Royals were once at the front of the national baseball consciousness. George Brett flirted with .400 and Dan Quisenberry made the submarine fashionable. They won - a lot. And perhaps most importantly, they were the little team from the fly-over town who had become arch-rivals with the New York Yankees. And of course, if you were the Yankees’ enemy, you were America’s friend. But then, bad things started happening. Mostly, they lost - a lot. A franchise going on 30 years old, they suffered through an affair with a rich benefactor, the loss of bowel control, and impulse buys: the baseball equivalent of a mid-life crisis.

If I may stretch to draw a different metaphor, the Royals are baseball’s much whiter, much less violent version of The Wire’s Stringer Bell. (Your assignment: identify your team with a fictional character). They came from the wrong side of the baseball tracks, challenged the Powers That Be with good old fashioned hard work and occasionally illicit behavior, and against all odds, won the hearts of viewers everywhere.  (Ed. Note: Spoilers Incoming Of course, Stringer ended up dead: for their part, the Royals had been relegated to the last five minutes of SportsCenter with a Wikipedia entry for the era titled, simply, "Rock bottom."

But you won't find a fan of The Wire who wouldn't give up Marlo and Wee-Bay to have Stringer back for one more episode. Though we still live in a world where it is possible to publish a fictional account of Willie Wilson questioning Sonia Sotomayor, the Royals are now defined not by losses but by a 25-year old right hander and a sense of, well, hope (forget for a moment that they are 14 games under .500). Zach Grienke may be the best pitcher in baseball. And for once, with a long-term contract in hand, he is a Royal that opposing fans can admire for his talent rather than dreaming what he would look like in their team's uniform. Grienke has, quite suddenly, put the Royals back on the map.

But what’s odd about Greinke is just how much attention he’s gotten. Last season, Tim Lincecum was two years younger and started 10-1 with a 2.49 ERA, but had to wait until July for his SI cover. Greinke started with slightly better numbers, but got his cover by late April. To be fair, we primarily have Joe Posnanski to thank. One of America's three (give or take) greatest local sports columnists was hired by SI last year, where he has been able to do nearly impossible feats like put the Royals in high places and work Tony Pena Jr. into a column about Andy Roddick. People in high places do wonders.

But I would contend that there is something else going on here: a national affection for everything the Royals embody and, occasionally, actually are. They are from the heartland. They have regal blue uniforms. They have a giant, kitschy crown scoreboard, and fountains that dance between innings. They have a recession-proof team salary. They are baseball in its purest, most uncompetitive, most enjoyable form, and because of that, people who have never stepped foot in Arthur Bryant's BBQ are able to look at the Royals the same way they look at a toddler, longing for younger more innocent days and hoping the kid grows to do something great.

Which brings us back to Hillman. I cannot name the Royals starting lineup (Note: I just tried and got five of nine). I haven’t seen the Royals play in person in two years, and can’t remember the last time I sat through a whole game on TV. No matter how much you like a team, it’s hard to sit through all that losing.

But it's not about the losing. It's about the fountains and the uniforms and Buck O’Neill’s seat in the stands and crying when the team trades your two favorite players – David Cone and Brian McRae – on back to back days. It's about relaxing in a row of empty bleacher seats, with a beer and a hot dog and a 3-2 game in the 6th. It’s about the joy at team gives you, that a 25-year old baby-faced pitcher gives you. It's about the quaint hopefulness of a small-market team at spring training each year. And every once in a while, it’s about sitting in right field in a sold out Kauffman Stadium as Ken Harvey blasts a walk-off home run in the 11th on April 18th, 2003 to boost the Royals to 12-3, best in the majors – never mind that they would finish 3rd in the division, seven wins short.

Romancing the Zone (Rating System): Bonnie and Clyde, Digital Eyes, and the Impending Death of Conversation

I watched Bonnie and Clyde this past weekend, starring Warren Beatty and the ridiculously radiant Faye Dunaway. As is my natural inclination, it got me thinking about baseball. The classic film follows the likable but slightly bananas "Barrow Gang" as they rise to prominence as hold-up chiefs and brigands, then rise to mythology in the course of a few years.

Early in his career (in the movie, anyhow), Beatty's titular hero would rob a small-town convenience store and bellow, "I'm Clyde Barrow, and this here is a hold-up!" No Nixon mask, bandana, or low-slung ball cap; no Unabomber sunglasses or hoodie. Just Beatty's bedazzling grin and a doff of the fedora and he was off to the next town, to pull another job. Might as well hand out business cards, or an eight-by-five glossy. What struck me was that such a thing was possible back in those days. There was no concrete photo evidence of an act in progress, no surveillance cameras, no holograms on photo-IDs. When something went down--a bank robbery, for example--the sources that the wider public drew upon for enlightenment were subjective, first person accounts and witness testimonials. And those, we know well by now, lead to some crazy shit.

Bonnie and Clyde does a fine cinematic job of rendering this very phenomenon, the distorting effects of such unreliable sources. The Barrow Gang tracks its own progress through the lens of the media, reading newspaper articles to each other as they rumbled down country roads and picnicked beside lakes (with a few kidnappings and moy-dahs speckled in between). The newspapers, in bombastic prose, chronicled Barrow Gang bank robberies from Texas to Chicago, St. Louis and Missouri. According to the media, the Barrow Gang was a continental army, cutting the legs out from under the national economy. The American public was swept up in it, filling like the fabric of a hot air balloon with the flame heat of the newspapers' bloviations. You can't check facts, after all, if facts don't exist.
Which brings me to the baseball hook. This week,word came down from the New York Times of the new digital eye technology, blowing open the Internet baseball conversation like the Barrow Gang bursting in on the local savings and loan. The multi-camera set-up will reportedly track anything that moves on the baseball field, in real time, and display the results as jauntily as a flash game. Every fielder's speed and steps-taken will be counted, every square foot of a fielder's range calibrated, every spat sunflower seed's trajectory vectorized. Basically, the Great Unkowns of baseball analysis will soon be known; the White Whales will be poached. What lies just over the horizon--so close I can hear its mechanized joints lurching like Bigfoot screaming in the night--will strip the ballfield of its mystery. Players will be tracked like so many cod, caught, geo-tagged, and released into the wilds of free agency, emboldened by these oceans of data, or defenseless in the face of 'em.

If there's one angle of the game that has eluded quantification and incited spirited consternation, it has been defense. Physics layered upon physics, the movement of the ball and fielders, range factors and expectations, good jumps and bad angles: it keeps sportscasters in business. This guy has the best first step in the game, that guy has a nose for the ball, this other fellow grows roots. Derek Jeter being the prime example, as old schoolers sing his praises and new-schoolers bemoan that praise. It's a great argument, veritably political in the polarization, the play of regionalism and power structure. He's a winner, screw the stats. Fielding stats are bunk anyway, I've watched him, I know. He's the most overrated fielder in baseball history. Colorful threads in the loom of baseball discourse.

This new system could be the theory of everything, the unification of the big and the small, the micro and the macro. All questions could be answered, unraveling the textiles, the complicated, the confusing, but--to the human eye--the sublime and the satisfying tapestries that clothe of the National Pastime. Who belongs in the Hall of Fame? Just ask four-eyes over there in the corner with the dazed look and the reams of dot matrix print-outs spilling out on his lap.

Computers have taken over the world in part because they are mesmerizing tools, just fascinating to watch, and they answer questions that once seemed unanswerable. So that's another kind of human majesty right there, and some of that may replace the emptiness that results from all of our questions getting answered. I love computers. I could watch the little digital eyes demo for hours.
But Bonnie and Clyde would never fly today. To be a bank robber in this modern world, you need a brain like a computer. Get cocky, holler out your name to a shopkeep, and you're done before you started. To rob a bank today, you have to look into the Matrix, decipher its patterns, decode it, and deconstruct it; you've got to be postmodern. Braggadocio used to fill newspapers and books. Now it fills prisons (I know this because I've watched seven episodes of The First 48).
We may soon say the same of the general manager. Heck, we already do. But this next thing, this camera system, it's the fucking Pinkertons, and the message board debates, the Jeter-gabbing and the Adam Dunn-bashing and all of that, those passionate unfounded conversations, they are Butch Cassidy and the Sundance Kid, telling stories and bathing in canyon pools while something smart and unstoppable tracks them, day and night, across the plains.

- Bonnie and Clyde's Hideout. Go nuts on this collection of photos and info.

The Pitchers & Poets Not-Quite Midseason Quiz

[caption id="attachment_654" align="alignright" width="231" caption="Hi, my name is Wilton. My brother is Vladmir. "]Wilton Guerrero[/caption]

Editor's Note: This quiz will be open through the end of this weekend. So please submit your answers by Sunday night (July 26) for consideration in our completely meaningless "Best Of" follow-up post.

Sergio Leone & the Infield Fly Rule not only has the best name (and arguably best banner image) in the history of blogs, but makes great reading. Like fair trade coffee and the novels of William Faulkner, SLIFR takes a little while to get into. But if you have even the slightest interest in movies, it’s a must-read. The Quarterly Quizzes they do are especially awesome, so in the great tradition of blogs stealing ideas from other blogs, I give you a picture of Wilton Guerrero and the first ever Pitchers & Poets Not-Quite Midseason Quiz.

Please drop your answers in the comments. You don’t must, but we’d love to see you explain your choices. In fact, we’ll even post results with our favorite responses/rationales at a later date:

1. Excluding Rollie Fingers, who has the greatest facial hair in the history of the game?
2. Least enviable inferior big league brother. Example: Wilton Guerrero.
3. Dave Stieb or David Cone?
4. The game is on the line. You have to send a pitcher – any pitcher – to the plate. Who is it?
5. Favorite Casey Stengel managed ball club?
6. Bull Durham or Field of Dreams?
7. Best local broadcast crew, excluding your hometown/favorite team?
8. Least deserving Hall of Famer?
9. If you could resurrect one dislocated or disbanded franchise, which?
10. Most memorable instance of creative technique employed by manager in confrontation with umpire.

*Note: you don't have to answer every question. You aren't being graded.

Poem Of The Week: Stickball

This week's poem (h/t Reeves -- please click that link) meanders across a suffocating New York afternoon. We're in the 40s or 50s in a working class neighborhood and the weather is scorching -- I mean it's Do The Right Thing hot outside. You'll feel it in a second when you read the thing. Any poem that uses "bleachered" as a verb is alright with me, and this one, written by Chuck Sullivan and first published in Esquire,  sure does:

In the middlepoets_chuck sullivan baseball card
of the concrete heat
boys manning our
sneakered positions tarred
in the block's summer field

We hustled out
fates into shape
on the city's sweating face
in the lean, bouncing grace
of our broomstick, rubber ball game
bound by the sewers and parked cars
of our Outlaw Little League

While on the sidelines
dreaming in our cheers
the old men watched
bleachered on brownstone stoops
and iron fire escapes
making small book on the shadowy
skills of stickball stars
lost in the late-inning sun
of the stadiumed street's
priceless, makeshift diamond

*Edited with another Ted Walker baseball card*

Baseball Mixtape: Kenesaw Mountain Landis

Words to win my heart: Kenesaw Mountain Landis was a bad motherfucker.

So begins this Dylan-esque tune by Jonathan Coulton, geek-folk troubadour. The lyrics weave their way from old Kenesaw himself, to Shoeless Joe Jackson, to the singer Joe Jackson -- oft mistaken for Elvis Costello -- of Is She Really Going Out With Him fame.

Thanks to Ted for the suggestion and the cool new Turntable logo.

Jonathan Coulton - Kenesaw Mountain Landis

****Programming Note: Pitchers & Poets is now on Facebook and we want to be your friends.****