Archive for the 'Baseball Culture' Category

This Just In! Votto Has a Sense of Humor That We All Apparently Lack

Joey Votto, via Flickr user dizbuster319 (click-through)

If it seems like I’m taking the following story a little too seriously, blame it on the combination of MLB Network’s Quickpitch and a couple of pints of Cooperstown, NY-based Ommegang Brewery‘s Abbey Ale. I toured the brewery while visiting the HOF, and just this evening learned that it was on the fridge shelf at the local grocer:

Joey Votto claims that his comment about Marlon Byrd and the Cubs was just a joke! Quoth Votto: “You can watch the video,” he said. “I gave Marlon a high 5 and patted him on the back.”

If this is true, it means that we were too harsh on Joey in our latest edition of the podcast. It also means that, once again, the dreaded limitations of print media have reared their ugly, newspaper-print-stained heads again. If it were up to me, the Internet would consist of nothing but flash videos and liveblogs from here on out. Who’s with me?

Let the record show that in the podcast I basically defended Joey Votto for saying things that he did not at all mean, and was totally joking about. Thanks, Joey. Next thing you’re gonna tell me that Bronson Arroyo was lip syncing the whole time.

Life in The Show, Volume 2

Eric has his Little League baseball team, and me? I’ve got the Playstation 3. So in the spirit of one downsmanship, I will be tracking my year on the virtual field, playing MLB 10: The Show, a masterpiece of a baseball video game and the pinnacle of the form.

One of the characteristics of a transcendent baseball video game is when the use of attributes–like power and contact for hitters, and velocity, control and movement for pitchers–lets the gamer to replicate a given player’s real-life style. If you want to be a slap hitter, or an all-or-nothing slugger, the game should let you, especially if that is a trait of the real-life major leaguer.

Well, The Show goes a long way towards doing that, and here are a bunch examples, as I’ve experienced them in online play:

  • Alfonso Soriano hits nothing but pop-ups to the left side, occasionally one will leave the yard.
  • A 78 m.p.h fastball from Tim Wakefield feels like 98 after a banquet of knuckleballs.
  • Trevor Hoffman’s change-up is nigh unhittable (okay, maybe this is more ca. 2009 Hoffman’s style).
  • Felix Hernandez’s pitches are hard to hit even when they aren’t perfectly placed.
  • Albert Pujols hits everything hard, all the time.

For the real baseball video game nerd, most everything comes down to style. Real baseball is this beautiful, symmetrical ballet of movement and stillness, and the perfect video game should mimic that. From the game to the individual, the idea then becomes to inhabit the bodies of these players like puppeteers–a discomfiting concept that I won’t dwell on–as closely as possible.

I think we all felt it the first time a baseball video game gave individual players different attributes according to their actual skill. Suddenly Glenn Davis was a power hitter, and Kenny Lofton a speedy slap hitter. The insatiable Fury we call verisimilitude sucked in its first real breath, and each incremental step forward has been to satisfy the desire to control not just any team but the real team. Maybe there were some of us who were happy to hit with robots and children, but for the most part we crave exactitude.

(The question I love is this one: will we ever reach the point when a video game will be literally indistinguishable from a video broadcast. I dream about that day.)

Well, at this point I am ready to re-annoint, for the millionth time, The Show as the game that most seamlessly pulls this feat off.

Why do I feel so strongly about this replication of real life? Because of Ichiro.

The Mariners can’t hit for beans, in real life or in the game, so the most important hitter on my team is the best one, number 51. And seeing as how I’m following the team pretty closely this year, I’ve had a chance to watch him hit, spraying as he does the grounders and the glancers, the whiplash hits and the squigglers, from the opposite field to the pull field, with every variation in between. I am building up to the fact that he does these things in the video game too.

In one game against the Yanks, controlled by an online opponent, these things happened:

1st at bat: Ichiro hit a low hard line drive past A-Rod at third base, who didn’t have time to react. Went for a single.

2nd at bat: Ichiro blooped a double that fell just barely out of reach of Thames in left field on a high inside fastball.

3rd at bat: I decided to guess fastball and yank one as far as I could. It worked, and Ichiro pulled a home run, just like the home run he hit against the O’s on May 13.

That rundown could have been The Day in Ichiro sections from Every Day Ichiro. I love you Ichiro, and I love you The Show.

Read Volume 1 of Life in The Show

Seeing Things New

Is it a cliche that every time you watch a baseball game you will see something that you’ve never seen before? I am putting this old rhubarb to the test, in any event, as I have already watched more baseball more closely this year than any I can remember (playoff games excluded).

This is because I started a personal project called Every Day Ichiro, chronicling my year in being a new Mariner’s fan. A tad specific for Pitchers and Poets, it involves watching a lot of Ms games, with specific focus on Ichiro’s at bats and overall presence.

More importantly for PnP concerns, I see things. It turns out that when you watch just about every inning of a baseball game, strange things will happen. Rare things, things that will legitimately surprise you. I thought I’d run through a few of those, as well as some other notable moments from the young season:

  • During yesterday’s Mariners-A’s game, Adam Moore scooped up a bunt with his mask. It was a most unremarkable gesture. He didn’t catch a ball over the fence with his mask, or throw the mask up in the air to deflect an errant ball the way every Little Leaguer has done, only to have his catch buddy tell him that’s illegal. He simply bumped an already stopped ball towards himself. Despite the insignificance of the mask-tip, the umpires after a quick meeting granted the baserunners a base apiece. Chad Pennington, who reached base on the bunt, ended the play with the rare infield double.
  • Matt Tuiasosopo battled through a 13-pitch at bat in the same A’s game. During that at bat, he popped two balls into Oakland’s acreage of foul territory. Two different players muffed a foul ball apiece, each taking one off of the heel of the glove and granting Tui TWO free lives at the plate. He struck out swinging.
  • Milton Bradley tipped his hat in a show of gentlemanly good cheer when Rajai Davis stole a home run from him.
  • Moving away from the Mariners: Jason Heyward. I mean. Are there any superlatives left? I had the good fortune of catching Heyward’s Homer live on TV on Opening Day, and felt that perhaps unjustified sense of the beginning of Something. It was chilling; I jumped up and did a lap around the living room, swelling with the urge to talk to somebody. I called my friend Seth in Atlanta, who had luckily taken a day off from work. I think I woke him up from a midday nap.
  • In a game between the Dodgers and the Pirates, outfielder Reed Johnson came barreling home and executed a near-perfect hook slide as catcher Ryan Doumit caught the incoming ball and tried to apply the tag. Johnson looked safe. As he got up in a cloud of dust, though, he and Doumit both were looking to the umpire, who had yet to make a call. The ump was just standing there, without doing a thing. The Nation looked to him for guidance, and all he offered was your basic man-waiting-for-a-train stance. Suddenly, Doumit got it, and jumped at Johnson to tag him out. Johnson had never touched the plate, so the play was still live, and there had been no call for the umpire to make.
  • Mark Buehrle Superstar.

It Takes Tui

Just when you think that baseball is becoming too specialized, when stats are taking over, when the media has made the game into some freakish mutation that used to be a game, you see something like I just saw in a rain-speckled spring training game between the Giants and the Mariners.

Matt Tuiasosopo, a utility infielder who made the big league team by a shoestring, hit a home run off of some lefty number 77 pitcher for the Giants. It was a pretty good little shot in a game that probably could’ve been called by the umps at that point, such was the heavy drizzle and the nearly vacant stands in what was the last spring training game of the year before the real deal starts tonight. Tui rounded the bases on the trot and the TV broadcast followed a giddy woman in the left field stands who got ahold of the home run ball.

When Tui returned to the dugout after touching the plate, he may as well have grounded out to that number 77 pitcher. Not a single player moved to offer him a simple high-five or fist bump, or even glance in his direction. There was nary a flicker of recognition. As Tui took off his batting gloves and stowed his bat and helmet away in the cubbies, the whole of the Mariners bench treated him as though he’d made the rounds with each of their wives and girlfriends.

At about the ten-second beat, Eric Byrnes starts to crack, glancing up mischievously. Then he stands and wraps Tui up in a big bear hug. With the first crack in the facade, the rest of the team jumps over, grinning, patting Tui on the head and slapping five and laughing. Don Wakamatsu even turned around from his manager’s perch to give him a high five (though his smile was muted, being as it is so close to baseball that matters).

If you can find me a box score that tracks moments such as this, I’d commit my sharpened Cubs pencil from Wrigley Field to it in a heartbeat.

From the Typewriter of Roger Angell

Sometimes you come across a Roger Angell sentence that you can’t help but share. This one comes from a mid-July, 1973 New Yorker magazine, in which he’s describing a Yankees game he attended (the ‘first’ preceding this one was his first view of the designated hitter in action):

The other true first, for me and perhaps for everyone there, was the moment in the eighth inning when Yankee catcher Thurman Munson and third baseman Graig Nettles, converging on a bunt by Jorge Orta, made simultaneous bare-handed grabs at the ball and came up holding hands.

The Way You Look Tonight

I’ve made the switch from Times New Roman to Garamond for my every day typing. There was something about Times New Roman that made the words seem intimidating as they appeared on the screen. As if each serif, each dark line was saying something about my soul. It got to a point where I almost didn’t want to write because I didn’t want to see any more Times New Roman on the screen before me. Now I feel reenergized. It’s hard to explain.

This has led aesthetics to dominate my recent thinking. I’m starting to realize how easily affected I am by the way things look. It’s as simple as the difference between a sunny day and a cloudy one. For many years I considered myself impervious to the effects of weather. Then I realized that my music tastes were totally affected by it. Now the same thing is happening with fonts, I guess. And it goes beyond my own writing. Aesthetics have a huge impact on how we consume sports.

Take a look at uniforms. Few subjects are less relevant from a tangible perspective. But few things affect the fan experience more. UniWatchBlog gets insanely high traffic (we know that because RBI once got a very brief mention that sent over approximately 17million visitors). In baseball, not even steroids get as much flack from fans as misplaced black trim on traditional jerseys.

Even Paul Lo Duca hates black trim.

But let’s take this even more inward. The readers of this blog are either well-meaning friends of Ted and I or people who consume multiple sports blogs on a regular basis. And your opinion of PnP is greatly affected by its design. For example, the giant picture of Fernando Valenzuela’s face on our header causes people to think this is a Dodger-focused blog. Regular readers know this not to be the case, but the image probably has the same skill for discouraging Giants fans from reading that Times New Roman does for discouraging me from writing stuff. The Rogue’s Baseball Index, looks old-timey — an aesthetic that carries its own baggage.

What do we look for with sports blog design? Should the visual feel of the site somehow match the tone of the content? Josh Wilker’s Cardboard Gods does this perfectly. It’s a slightly literary design with a classic-baseball feel. The content is the focus, framed in white amidst a background of dark grays and blues. Joe Posnanksi, meanwhile, opts for pure utilitarianism. His long, long posts are presented on a plain white screen, with plenty of space for his ample reader-polls on the side bar and his weird personal projects on the header.

But those are singular and powerful voices. Their draw is their exceptional content – bells and whistles be damned. What of sites whose appeal lies in humor or news or pictures? What of Deadspin? Deadspin leaves it in the hands of the reader. Here are 6,000 stories. Pick your favorite. Me? I think it looks cluttered. But then again, I like to pick and choose my stories. God knows I don’t want to end up looking at one of their regular slide-shows of nude male athlete self-portraits.

Mustaches were a crucial part of 19th century baseball's aesthetic.

I suppose the goal of a blog design depends on the goals of the proprietors. Do you want to nurture your reader a-la Wilker into a bookish dream-state? Do you want to build traffic through various clicks and links and options? Is your most recent post key? Or is it about the big picture? This is just the first layer of questions. We can peel them back to reveal even more. Does the number of columns on the blog matter much? Do certain colors have certain impacts on the reader? What about the width of the text? Do you like to read a narrow column or a wider one? How does subject matter affect these things?

This all may seem vague and irrelevant. But I don’t think it is. All of our beliefs as baseball fans are colored by colors and indelible images and uncanny associations.  Consider the way uniforms touch the way we remember eras: the classic 1950s and 60s, the colorful 70s, the unfortunate 80s, the surprisingly teal 90s. It goes into the design of our stadiums as well. They evoke the eras in which they are built and the teams they house. The difference between Cardboard Gods and Deadspin isn’t all that different from the difference between Fenway Park and New Yankee Stadium.

I’m curious as to what your thoughts are. Please share them in the comments. For what it’s worth, two of my favorite blogs, aesthetics-wise, are Beerleaguer and Mike Scioscia’s Tragic Illness. What are yours?

Crowd the Hall

About two decades before the birth of Jesus Christ, construction began on what some historians have called the first Hall of Fame. It was conceived of by the Roman Emperor Augustus as a way to honor his gods, his ancestors, and himself. Hardly discerning when it came to his statuary, Augustus loaded his personal Hall of Fame with 108 busts, some hauled back to Rome from far-off lands, others commissioned by Augustus himself, others yet commemorating military triumphs.

Earlier this month, the Baseball Hall of Fame in Cooperstown elected its 293rd member in Andre Dawson. He will have to make due with a bronze plaque instead of a full-on marble statue. At initial glance, 293 seems like a lot of members. After all, the history of baseball in America pales in comparison with that of conquests in Rome, and Cooperstown is in many ways more notable for the players it leaves out than the ones it admits.

This year, Bert Blyleven and Roberto Alomar found themselves on the cusp of entry, scraping in vain at the impregnable golden fences of Cooperstown. Next year, they should be admitted. But what makes the Hall of Fame dynamic – as an institution more than as an actual building – is the list of men left on the outside. The Hall of Fame is defined by that invisible line that separates the worthy from the unworthy. It is the line over which celebrated men like Marvin Miller and Buck O’Neill, Gil Hodges and Ron Santo can never cross.

The location of this line, this threshold, is hard to place. Once upon a time, it sat squarely between numbers. It sat between 499 and 500, between 299 and 300, between 2,999 and 3,000. Only certain circumstances – misdeeds, injuries, intangibles – could compromise the landmarks of greatness. But these are different times. Belief systems, like home run records, have been crushed beneath a type of deceit. Traditional statistics, once considered infallible measurements of performance, have been proven inadequate.

There are 539 Hall of Fame voting members of the Baseball Writers Association of America. Aside from the broad and broadly-covered schism between old-school skeptics and sabermetric believers, that means 539 unique definitions of what merits Hall of Fame induction. Induction requires 75% approval, or 405 votes. Once eligible, players can remain on the ballot for up to fifteen years. This means time for voters to consider the legacy of a candidate as his career fades further into the rear-view mirror. For guys like Blyleven, who seems to be gaining momentum at the pace of a baseball rolling across a flat surface, it means annual near-misses, an extended human drama that feels destined to play out like the final scenes of an ancient tragedy.

This is why there needs to be some level of Hall of Fame voting reform. Not just for poor Blyleven, for whom induction would mean so much at this point, but for all of us. The Hall of Fame is supposed to be a celebration. It’s supposed to be nostalgic and it’s supposed to make us happy. We want to see our heroes in tears on that podium for their final moments of glory. We want to remember what it felt like to watch them play and win and lose.

I don’t know what I’d prescribe to fix the Hall of Fame voting process, but I know this. I would let more people in. I would ease the restrictions. I would welcome more players and more managers and more executives and more ambassadors. Not a lot more, but a few more; some of those legacies stranded right outside the gates would be granted admission.

As it stands now, the voting process is entirely subjective. There are no statistical requirements for entry, no thresholds that need to be reached. There are just those 539 writers and the meager check and balance of the Veterans Committee (an essay for another time). If it were otherwise, if this were a Hall of Greatness or Hall of Merit, then Bert Blyleven would have already been admitted, and the whole conversation would be moot.

But it’s a Hall of Fame. And that’s a different thing. With a Hall of Fame, the stakes are basically non-existent. Is Mickey Mantle’s presence in Cooperstown really soiled by Bill Mazeroski’s? There need be no statistical formula for inclusion. We have our hearts and our imaginations and the whole point of the institution is to please us, the baseball fans who trek to upstate New York, and pass hours arguing about it. So why not ease the standards, ease the frigid self-righteous shrieking over whether an excellent player (anybody whose even part of the conversation is an excellent player) is or isn’t quite deserving enough?

How could this be accomplished without creating a Hall of Mediocrity, or a Hall of Cora Brothers? There are a few possibilities that immediately come to mind. One option is to simply lower the 75% threshold used by the BBWAA, perhaps even to a more sane 70%. Another would be to introduce an element of controlled fan voting. I realize that some fans hate All Star voting because they believe average folks aren’t smart enough to know who the best second baseman in the NL in a given year is, but the fans are what powers baseball. As a single component of a larger formula, fan voting could bring a new dynamism to the process. A third option would be to introduce appeals processes, so certain candidacies could be resurrected.

I don’t know how much thought Augustus put into the statues in his forum. It is very possible that he argued for hours with advisors over whether to include a 109th statue, or whether a certain ancestor or general was being unjustly excluded. But honor and glory are not finite substances of which we could run out. Even with a slightly-expanded Hall of Fame, there will be emotional induction ceremonies and heated arguments over who deserves admission. It’s just that if we open the gates to Cooperstown just an inch or two wider, there will be more joy, and isn’t that the whole point?

Explorations in Baseball Nerdiness

Nerdiness and baseball are frequent bedfellows. Bloggers in their mother’s basements, Steve Bartman, Excel spreadsheets, hyper-focused statistical analysis, George Will…the list really does go on and on. Another bastion of the super nerdy, a practice so odd and pointless that it makes listeners uncomfortable in conversation, is the animated .gif. Peewee Herman eating a cartoon ice cream cone, Pokemon characters doing strange things to Mad Men actors; whatever you’ve got, chances are good that someone has created a .gif that animates them doing strange things.

Recently, when I should have been doing something productive, I joined these two stalwarts of the socially questionable. I created a baseball-themed animated .gif. Without further ado, and with no point or purpose whatsoever other than the work one can do with Photoshop and a web tutorial, I present:

ichiro-animation

An Argument for the Current MLB Awards Schedule, with Rafting Metaphors

killing time

Right now, the MLB is slowly, slowly revealing the names of the 2009 award winners. The results trickle out to the media like grains of sand through a poorly maintained hourglass, presumably extending the shelf-life of the now-finished season to grab a few brain cells away from Lebron James and the NFL.

There are numerous arguments, and plenty of good reason to just go ahead and announce the award winners when they’re tabulated, just before the playoffs. However, I am, however, about to argue that there is some legitimate pleasure to be had from the awards announcement process at this quiet time in the baseball life cycle. The free agent frenzy will soon begin, with the corresponding sense of urgency. This time, however, right now, is appropriate for reflection, with a contemplative look back at what is already, jarringly, “last year.”

During the baseball season, I often feel like I’m traveling down a turbulent river in a rickety canoe. Just ahead of me, bobbing in the rapids, is the piece of flotsam that represents the team I choose to follow, the Astros (they’ve been far far ahead of late from another coast, kept afloat only by an enthusiastic blog community. Also, does that make the Yankees a super-tanker?). It’s all I can do to keep my gaze trained on that elusive target, tracking its progress as it dips and swirls, disappears from view and reemerges.

The rest of baseball–the other teams, individual performances, slumps and streaks, scandals, standings, highlights, records–line the shore. Tracking the piece of drift downstream, the shoreline flickers past in my peripheral vision as little more than a blur of color and light.

rafting

The first respite on this journey (it’s a fun ride, despite my somewhat harrowing metaphor) comes in the calm eddy just before the playoffs, when most slots are sealed up, bad seasons come to an end and, and the new second season promises a more concentrated pursuit. That’s the first time I try and take stock of all that has just happened, particularly by catching up on the teams that are still in the race. How did they get there, what do they bring to the table?

That quick breather is soon over, and the class 6 rapids that are the playoffs begin. And as abruptly as they begin, they are through. All falls silent, birds chirp, the woodfire crackles in the evening light.

The twilight fades to the depressing yellow glow of the indoor NBA arena. In the conjoined exhilaration and melancholy of the season’s end, it turns to reflection time. For me, that’s means checking the detailed leader boards on sites like The Hardball Times or Fangraphs.

It’s a marvel to me how much I miss in the course of a season. You can read all of the blogs that you want, and watch as much Baseball Tonight as your eyeballs can take, but small bits and bytes of information still continuously emerge depending on the lens that you put on your camera. Train your viewfinder on the A’s or the Blue Jays or whatever team is furthest from your typical focus, and you’ll find out that Andrew Bailey had a dominant year out of the bullpen, or Adam Lind just crushed it all year. And those are the obvious ones. Aaron Hill can slug, but he doesn’t take many walks. And Vernon Wells…yikes.

For every team, there’s a minimum of 25 things to learn, and truly many more than that. Every player tells an eight month story.

And so, to the awards season. As lengthy as the process is (Joe Posnanski tweeted “As a member of the Baseball Writers, I wonder: Can’t we stretch out these awards more? I understand MVP comes out July 2013.”), there is a core understanding going on that this is indeed the time to discuss the awards. They are individual in nature, and the darkest depths of the offseason are better suited for debates about player prowess than just before the post season, when team play is paramount. Individual award conversation pales in comparison to the playoff vibe, the intensity of each pitch of each game.

sittin around talking

Now, however, the hot lamps have cooled, the champagne has dried sticky to the floor, and we’re by the campfire again. It’s the time to contemplate the individual achievements, the gems buried in the rock of a long, arduous season. What sparkles now can be placed under the microscope and tested for purity. Purity, in this sense, is gauged under the jeweler’s eye of conversation, of debate, with a calm dose of perspective.

Enter the awards, which offer the institutionalized version of one side of a conversation. The general body says, “This is the answer to this question,” vis a vis the best rookie in each league, the best pitcher, the best player, the best coach. A definitive proclamation is the best way to start any conversation, as it’s the ultimate launching point for conversation. And so, in a manner, the awards are not a finisher but a starter, the flint and tinder that set the baseball scene to talking up a fire. The hot stove, yes, is what that is, if it sounds familiar. It’s calm water. It keeps us warm.

The awards season mirrors the times, by which I mean the offseason itself: it’s a slow tedious march, marked by the odd flourish of pretty great stuff to talk about.

On Repetition, Consistency, and Ichiro

elephantlarge_artworkimage

There is poetry in repetition, and repetition in poetry, and poetition in repeatery. In their mystical, reptilian brain-type ways, rhyme and verse and meter build and release tension, create and demolish expectation, and generally provide the aesthetic infrastructure that enables poetry and music to variously melt our insides and set fire to our brain stems. There’s no point in offering an example. Just think of the scariest or the most exhilarating aesthetic experience you’ve ever had, and it’s likely that it either a) repeated the best part or a variation over and over or b) established repetition and then sent it spinning. (I’m not scholar of poetry or music enough to go much farther than that, and even in this generalization I’m working on instinct).

All of that to say: I watched Ichiro play the other night, at Safeco Field.

Ichiro’s been much in the news in the last week or so, for cracking 2,000 hits, for doing it quickly, and for breaking Wee Willie Keeler’s record eight consecutive seasons with 200 hits. These are records that bring a word to mind: consistency, ie. doing something very well for a very long time. It’s marvelous, but the word that interests me more for the sake of having watched him play the other day and for this post is: repetition. They’re two words with much different implications, but they’re also co-dependent.

Repetition means doing the same thing over and over. Consistency means successfully pulling something off again and again. Repetition: Ichiro does the same thing before every pitch. Constistency: Ichiro gets a hit 35% of the time, but doesn’t get a hit 65% of the time. More than any other player, Ichiro gives the impression that hitting with such consistency, ie. getting a hit 35% of the time, would be impossible without repeating the the same ritual 100% of the time. Repetition is the platinum setting upon which the jewel of his consistency is mounted.

So yes, there you have it, Ichiro has these rituals that he repeats over and over again. So why is this important, or why, rather, is it satisfying to watch?

ichiro_ritual

For one, I think, it’s the style that Ichiro lends to his rituals. For most other players, you’d call them tics. But Ichiro adds something, a certain theatrical bent, to suggest his awareness of the importance of the ritual itself as a means to the end. He brings attention to the act of preparing for a pitch. A word that pops up in the definition of the word ritual is ceremony. In modern parlance, ritual has a more widely applicable connotation–everyone’s got their ritual, whether it’s a cup of coffee in the morning or the way a Little Leaguer wears his stirrups–while ceremony still carries with it the banner of history, of communal import and procedure. All of this to say that Ichiro’s repetitive acts have the flavor of ceremony, of fulfilling the necessary requirements to move forward, recalling the lessons of his youth and of seasons and weeks and days past. Through all of the games over all those years, the thread that sews them altogether is that ritual:
the pre-pitch motion in which he raises the bat in his right hand to the pitcher, pointing in the same direction with all five fingers of his left hand, before dropping the bat and bringing it around and up to his ear.

Watching all of this go down in person is what I dig. On TV, you might catch a glimpse of his at-bat ritual before the camera cuts to the Bud Light trivia question or the roving reporter in the stands. But in person, it’s unedited Ichiro, in real-time. More than the edited version, one can watch Ichiro in his full state of Being. There is the pre-pitch ritual, but there is also the continuous stretching in funny crouches, the practice swings, and–this one was new to me–the exaggerated, Satchel Paige-like wind-up with high leg kick that he goes into with every warm-up throw in the outfield. While centerfielder Franklin Gutierrez lolligaggs his tosses with an air of boredom, Ichiro makes the boring act into an art form by constricting it, by placing a constraint around it and carrying it through to its extreme.

Plain Throw wiffle ball

My baseball career was defined at all times by inconsistency. Not of performance, necessarily; I was great until about age 15. But I never threw the ball with the same arm angle, my batting stance changed every week, the height of my stirrups fluctuated wildly, etc. My style was to have no single style. This wasn’t by design, necessarily, but rather a matter of character. My handwriting, for example, is messy and it changes with the wind. Perhaps it’s this nature, my flapping, groundless personal story, that urges my fascination with Ichiro’s superhuman capacity to repeat and repeat. I am jealous of and amezed by perfectly uniform, utterly neat handwriting too. For me, that consistency is unattainable.

And then, of course, there is what Ichiro does between rituals, when the pitch is on the way and the ball in play. The rituals mark one side of the coin, and the other side is stamped with his improvisational skills, and his ability to stretch and contract with the demands of the present tense. The career of Turk Wendell taught us that a bunch of great rituals with feeble results doesn’t go nearly as far. But watching the two skills in concert, the repetition and the consistency, is what makes baseball worth watching, even when the teams involved are long out of the race and the season is lost.

P.S. Ken Griffey, Jr., hit a home run in that game, too, but that’s another story.




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